There's No Place Like Home


Late afternoon palm

Being a "stick-in-the-mud" because the mud continues to fascinate....

Grow up in one big city (Brooklyn), live for 20 years in another (Boston metro), then move to rural Florida. Our decision almost 3 years ago led some folks to ask, "You're moving where?!"

(I think this area is still called "rural". It's developing fast; I'm enjoying the wild pockets while I can.)

In the summer of 1977, a friend and I worked in Manhattan during the week. Every Friday night we met for dinner and a Broadway show, in the days when a back-row seat cost $6-8 a ticket. We lived a block from each other and getting back home was a subway ride away.

After I moved to Boston I had season tickets to the American Repertory Theater, the Boston Symphony Orchestra, the Wang Center dance series. I frequented the Brattle Theater art house. Big names: Vladimir Horowitz, Jean-Pierre Rampal, Yo-Yo Ma, Alvin Ailey. Before rents shot up and overtime became unpaid.

I was lucky enough to enjoy a fabulous immersion in culture and the thrills that come of urban life. No wonder some were surprised at a move that places us a two-hour drive from Tampa -- which, except for once driving Mary to the airport, we haven't yet visited. We have gone to Orlando -- to drive through it, on our way to a poetry convention in Melbourne.



What folks didn't know was the number of journal entries I wrote as an adolescent, praising the moon and twilight seen out of subway windows on elevated tracks. The mantis who was a childhood friend. The thrill of fireflies before they disappeared from Brooklyn, and the thrill revisited when Mary and I found dozens of them one dusk along the Minuteman Bikeway in eastern Massachusetts. As a teenager I tried my best to capture the moon, sunsets, and my neighbor's roses with my Kodak Instamatic. Following a childhood friend's lead I had tasted sweet nectar from the Rose of Sharon flowers in our back yard.

I had grown up a couch potato but Mary had grown up hiking; she is my mentor in planetary stewardship. Our first long walk together came on Christmas Day ten years ago, in calf-deep snow along the banks of the Charles River. Since then our urban hikes have combined nature-watching (including a great blue heron standing calmly on red brick outside the Alewife subway station in Cambridge) and what Mary calls "beautification" -- clearing the streets of tossed cans, dropped wheel weights, dead batteries, etc.

Littering occurs here, too, though to a far lesser extent. Still, when I take my aerobic walks, I often circle back to where Mary is as she stoops to fill one of several plastic bags she carries in her fanny pack.

We'd started collecting field guides while still in Boston. I had purchased my first -- the Audubon Society Field Guide to Insects and Spiders -- back in the 80s, almost a decade before Mary and I met. The second was Eastern Birds, volume 1 in the series of Peterson Field Guides -- because I had attached a suction-cup bird feeder to my office window and kept e-mailing one of my coworkers with bird descriptions, asking, "What is this?" I'm sure he didn't mind telling me, but I finally asked him to recommend a reference book.


This pond a few blocks from the post office had dried up a couple of weeks ago but recent rains have refilled it. I think this might be a fulvous whistling duck. Hard to tell from what's visible (and it wasn't whistling at us), but this one seems to have the telltale white on its rump.

Since then we've added field guides for western birds, wildflowers, edible plants, eastern and western forests, Florida, the Southeast, perennials, and others I don't recall offhand. Usually they give us the information we need, but not always.


I'm still trying to identify this moth, whose wingspan I estimate at less than an inch. It isn't in any of my field guides, but was perched on the wall just outside my back door. The closest I've come so far is a photo of the orange-spotted tiger moth, family Arctiidae, taken in Australia.

Postscript: I wasn't even in the right family! Thanks go to Bob Patterson and Hannah Nendick-Mason at Bugguide.Net for identifying this as Syngamia florella (no common name). Patterson adds that it's "a common moth in Florida, family Pyralidae."

Except for a few meetings, we haven't left the county. And we've barely seen the county. In many respects we are still in the "settling in" process that involves everything one might expect from taking over a 25-year-old house.

Truth be told, I'm still continually fascinated by our immediate environment. A two-mile walk to the post office and back yields incredible riches. The photos here were all taken on the same day, during the same walk (somewhere between two and three miles), and represent about a fifth of what my camera caught overall.


Heron


One of a gang of squirrels careening through a stand of trees.


A male red-bellied woodpecker. Before I got a good look at the shot I thought I'd photographed a downy or hairy woodpecker, which have similar "zebra" markings but only a red patch on their heads. This species has an entire red head, and this bird was one among several in the tree. They were a loud and active bunch.

Often when we walk we scrutinize other people's houses because we're still learning how to live in what for us is a new climate. Who has gutters? Who doesn't? How close is that tree to the building? What kind of hurricane shutters are up? Is that conduit capped? Sometimes we just engage folks in conversation.



Above and below: Seen at other people's homes



Eventually we'll venture further afield. We'll actually become tourists, though I won't say when. (Although I grew up in Brooklyn, I didn't tour the Statue of Liberty until Mary and I visited New York in 1996.) For now, I'm still being a tourist in my own back yard.

Literally.


A late-afternoon pine a couple of blocks from home.


A neighborhood palm tree catches late afternoon light. This is the same tree as the one up top


Waiting for Light


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"We've got the Milky Way. And earthshine to die for."

Mary knows this but she steps out onto the porch anyway. She'd already seen them -- Milky Way, scimitar moon, bright red bead of Mars -- as she stood on the driveway just a few minutes earlier with the paper tucked under her arm, her long neck craned. At 5:30 in the morning her relentless metabolism has driven her toward food. I'd awakened to the strong, sweet tang of onions....

I would take my nap later, after she had gone back to bed. After a while I pad outside again, this time with the camera, to see what if anything I can accomplish without a tripod since the one for our telescope is not compatible. Until I have enough light, I lean as securely as I can against stable objects and hold my breath, listening to the lazy whirr of glacial shutter speed.

It's no use. My heart still beats, vibrating me.

The moon continues to inch away from the predawn east. In about two minutes from my earthbound perspective it has moved the distance of its own diameter on its slow climb up the sky. Yellow streetlamps glow. Dark clots of trees begin to gain murky definition.

Then I see the fog, which adds smoky softness and a natural blur to an image rendered less than crisp by the limitations of body and machine. Technical difficulties imitate life.


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The dark makes me cautious as I round the house barefoot, keeping to the cement walkway -- likely the fire ants are asleep but I take no chances beyond being unshod. Spiderweb filaments try to catch me, clinging to my arm as I round corners. A large flying insect buzzes first one ear and then the other and takes off, then returns: My spot. Go away. After a while I do.

The light increases; I take more pictures of the moon. It still blurs, flitting around the viewfinder, a moth unwilling to be trapped.


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When I next look down at the portulaca they are just beginning to open, squinting in a flash photo, still hugging their petals to themselves. Sleepy children. The white one dares to peek at the bedside clock, in this case the brightening blue overhead, anticipating its golden alarm of sun.

I make my way carefully to the front of the house. Even barefoot I can and have accidentally crushed snails; now I want to take a portrait of one. I marvel at their unhurried progress, eyestalks wavering with inquisitive grace in the thick air. Their luscious slickness.

I search in vain for one of the ubiquitous white snails out of its shell but instead encounter
, for the first time since we arrived here, a brown beauty with perhaps 7mm-diameter housing. Its movements are almost imperceptible. I pop up the flash.


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Two of my favorite movies include snails. In the opening of Silent Running, Joan Baez sings "Rejoice in the Sun" as a snail journeys through foliage, filling the screen. (Peter Schickele, of "PDQ Bach" fame, had composed the film score in a decidedly different style than what marks his hilarious send-ups of classical music. And I believe the Star Wars character R2D2 owes its existence at least in part to the drones Huey, Dewey, and Louie from this years-earlier film.)

The other movie, Microcosmos, is filmed entirely from "bugs'-eye view." In one scene two burgundy snails mate, accompanied by opera. For me it is one of the most ecstatic moments in a movie that holds me spellbound every time I watch it.

The sky continues to brighten, the sun just short of breaching the horizon. At last I can catch the floating crescent with a minimum of blur, though its earthshine has been washed out. Back at my computer I cheat, running time backwards as I deepen the digital sky. I fiddle with color balance until I can tease out what seems to be a hint of craters by the terminator, the threshold between light and dark.


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The lack of earthshine unmasks my ruse. Perhaps it's time to get a tripod.


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(This image, captured from Calculatorcat.com, shows the moon's phase about 7 hours after I took the above photo. Sunrise occurred at 7:22 AM, about 79-1/2 hours before New Moon, which will also herald Rosh Hashanah.)

After-post addendum: I've learned that this New Moon will also mark the beginning of Ramadan.


Canteloupe For Brains!


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Mary has big plans for this thing. I asked her what they were, because it's been sitting in the fridge for months....

Turns out, she said, that early fall is a good time to plant squash seeds down here. (Okay, she said September, which means our window of opportunity is closing fast. But we also have a bag of several-year-old canteloupe seeds transported from Massachusetts, destined to be experimental subjects.)

Squash loves to hybridize, and our community garden up north was a haven for oddities. We saved seeds from canteloupe, zucchini, and acorn squash, then let them all do whatever came naturally. Pretty soon our dinner table included zukalopes and cantechinis -- and the acorn squash addition gave us what we simply called "green footballs."

It's hard to think of this as autumn when temperatures still meander into the 90s and we have two months of hurricane season left. But the signs are everywhere because almost everything is going to seed and our color scheme has begun to switch over from green to brown.


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I photographed this right where I found it in the street, around the corner from the post office. Sycamore, I think. If I really work at it, I can span my hand across a major tenth (an octave plus two notes) on a piano keyboard -- or the width of this leaf.


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We don't keep a lawn but have a mixture of purposefully-planted trees and shrubs along with some volunteers, plus whatever weeds will hold the soil in place and not be a nuisance. This dandelion lives (and hopes to pass on its genes) in the front yard, a couple of steps away from a pair of crape myrtle trees.


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When in full bloom the myrtles produce large clusters of blossoms, earning them the nickname "Southern lilac." But I find a kind of beauty in their shriveling, too.


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I have never seen magnolia trees as big up north as they are down here. They are towers with enormous, intoxicating white blossoms. I found these aged, emptying seed pods equally entrancing. They live around the corner and down the block.


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The church near the post office has a lovely cactus garden that includes this fruiting saguaro.


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On the other hand, our neighbor's oranges have yet to ripen.


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I planted this loquat in our yard in the spring of last year. It hasn't fruited yet, but this is the first time I've seen these seed pods.


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As soon as we moved down here I discovered tiny white snails (about 5mm across) all over the yard. When we take in the trash can after only a few hours, we check it carefully for any hangers-on. We step carefully along our front walkway so as not to inadvertently crush them.


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I thought these flowering dog fennel made an interesting "gateway" to whatever mysteries lie beyond. (Okay, it's more dog fennel, not so big a mystery. But still.) These flourish around the corner from the post office.

The One That Got Away: The church with the cactus garden is being re-roofed. On Monday Mary and I walked together around dusk, and on our approach I saw one of the workers straighten up from his task, rising from the roof barechested, muscled, and tanned. Towering clouds backdropped him, shadowed in purple and glowing a dusky pink. Between him and the roof a breeze lifted and waved the American flag, enough for me to see the top half or so.

All those elements together made for a really choice shot but I balked -- one, because if the guy saw me taking his picture he might throw a hammer at me or something; and two, because he was moving and I'd have to wait to see if he got into position again, standing and staring at him from across the street. The next day the roof was piled with sacks of I know not what, which would obscure any similar view, and those clouds were gone.

If I ever get that chance again, I might be braver....


Bouquet


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I couldn't have done this one without the cats....

Three of the seven photos used in this collage appear in Magic Lens. One that wasn't, a shot of collected, shed cat fur from Daisy and Red (I use the fur in mixed media pieces), serves as backdrop for the blossoms and filaments. Other pictures not previously posted include yellow wildflowers found on a grassy median, and our white portulaca on the back porch. The filaments come chiefly from the lefthand Spanish moss, while the frame uses the righthand shot.


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The yellow flowers blend two color alterations. Darkening the original shot had made the seed pods almost black -- so I lightened them in a second copy and replaced just the pod tops in the collage.