Burnout 2: Point of Impact Unofficial Sound track (2002) - Criterion Games

Burnout 2: Point of Impact


Genre: Rock, Hard Rock, Instrumental
About: If you're a fan of these genres of music, or if you've played any games in the Burnout series (specifically the first two), you will love this. I ripped these myself since this was never officially released. My favorite song, and track, is Big Surf Shores. My favorite car is Custom Roadster. I think my best score on that track was 350 million or so. Try and beat it! (It's very possible, but difficult)

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Trist - Initiation (2008) (320 kbps)





Genre: Black Metal, Dark Ambient, Ambient, Atmospheric Black Metal
About: Demos recorded between 2000 and 2003, but they are very good quality. If you enjoyed the other albums you will enjoy this too.

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Trist - Tiefenrauscg (Ein Abstieg in 5 Stufen) (2005) (320 kbps)





Genre: Black Metal, Dark Ambient, Ambient, Atmospheric Black Metal
About: The first album from this amazing one-man band. Conceptual album based on poems by Timo Kölling, who also did the vocals for this album (I haven't listened yet, but they are likely few and far between). Close your eyes and enter a new world.

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Trist - Hin-Fort (2007) (320 kbps) (Trist (Ger) - Hin - Fort)





Genre: Black Metal, Dark Ambient, Ambient, Atmospheric Black Metal
About: This is a side project of Aran, from the amazing german black metal band Lunar Aurora. I hope he releases another album now that Lunar Aurora is on hold indefinitely. (Edit: He is releasing a new album this spring!!!) It's basically the same as Lunar Aurora (in fact, some of the same samples from Andacht are used), but without the really fast black metal parts... Instead, he focuses on creating a whole new world by ambience, all kinds of sounds together, and dialogue samples from movies, to create a truly unique sound. This must be heard to be believed.

Track 1 is exactly one hour long, but believe me you will not get bored; you will love every second of it. It's not what i traditionally think of when i think of the word "ambient", its more of a wall of sound that is ever-changing. The two quotes are taken from the movie "Story the Film" by Dana Ranga.

The remaining tracks are different, yet similar... I really can't describe this music in words.

Close your eyes and listen as you enter a new world.

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Adramelch - Irae Melanox (1988) (CORRECT TAGS AND TRACK ORDER)




Genre: Power Metal, Progressive Metal, Heavy Metal
About: Another great classic Italian metal album! Nice raw, but clear sound. According to where I got this, it is remastered, but I can't verify.

If you have a last.fm account, join this group to be informed of a new classic italian metal album each month!: http://www.last.fm/group/Old+School+Italian+Metal

Full review here (scroll down for english): http://www.last.fm/group/Old+School+Italian+Metal/forum/103498/_/496813

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Elissa Meets ELIZA

Elissa Meets ELIZA

Thanks to Gary Farber, my classmate from P.S. 99 back in the 60s and SF fandom comrade in Fistfa back in the 70s, for the link to this article from April 2008 about the death of ELIZA's inventor, Joseph Weizenbaum.

I first learned of ELIZA when I was an undergrad psychology major. Patterned after (and parodying) the Rogerian style of non-directive therapy, ELIZA was a technological breakthrough in its day. Anecdotes abound about people interacting with ELIZA who thought -- at least briefly -- that they were communicating with a flesh-and-blood, human therapist.

As a psych major named Elissa, I had long been curious about the program. In addition to clinical and research psychologist Vaughan Bell's fascinating interview with ELIZA and Romeo Vitelli's great follow-up comment, the article includes a link to an online version of ELIZA. I just had to toddle over there... (continued)

Writes Michal Wallace on the site, "ELIZA has almost no intelligence whatsoever, only tricks like string substitution and canned responses based on keywords. Yet when the original ELIZA first appeared in the 60's, some people actually mistook her for human. The illusion of intelligence works best, however, if you limit your conversation to talking about yourself and your life."

The chat box is not cut-and-paste friendly, but that's what cameras are for (see above). I've added some commentary [italicized in square brackets] to the transcript. ELIZA opens with "her" default greeting.

ELIZA: Hello, I am Eliza.
Elissa: My name is Elissa. I am very pleased to meet you.
ELIZA: Did you come to me because you are very pleased to meet me?
Elissa: Yes, and because I was curious about you.
ELIZA: We were discussing you, not me.
Elissa: That does not decrease my curiosity.
ELIZA: Can you elaborate on that?
Elissa: I first learned about you decades ago, and have wondered what interacting with you would be like.
ELIZA: You're not really talking about me, are you?
Elissa: I'm actually talking about my response to you, so you play a role, too.
ELIZA: Do you believe it is normal to be actually talking about your response to me, so me play a role, too?
Elissa: Very much so, especially if you can learn that "so me play" contains an error in English syntax.
ELIZA: You're not really talking about me, are you?
Elissa: Actually, I am, since the syntactical error is yours.
ELIZA: Did you come to me because you are since the syntactical error is yours?
Elissa: No, but I can see your confusion.
ELIZA: Are you saying no just to be negative?
Elissa: Not at all. I believe learning syntax and grammar are very positive goals.
ELIZA: I'm not sure I understand you fully.
Elissa: See, that's where the problem lies.
ELIZA: Have you asked such questions before?
Elissa: I am actually making statements, not asking questions.
ELIZA: Did you come to me because you are actually making statements, not asking questions?
Elissa: Not really. I can do that with anybody.
ELIZA: I'm not sure I understand you fully.
Elissa: I came to you because I wanted to find out more about you.
ELIZA: We were discussing you, not me.
Elissa: Yes, insofar as the curiosity is mine.
ELIZA: Are you Sure?
Elissa: I'm positive.
ELIZA: Do you believe it is normal to be positive?
Elissa: Very much so.
ELIZA: Tell me more...
Elissa: Well, interacting with you is a positive experience for me.
ELIZA: Oh... is a positive experience for you?
Elissa: Yes indeed.
ELIZA: Are you Sure?
Elissa: You betcha.
ELIZA: Oh... betcha?
Elissa: It's a slang term. Do you know any slang?
ELIZA: We were discussing you, not me.
[At this point, Mary began engaging me in conversation.]
ELIZA: ***Are We going to Chat?***
ELIZA: I can't help you without a dialog!
Elissa: [responding to the prior question] True. That includes my curiosity about whether you know any slang.
ELIZA: We were discussing you, not me.
Elissa: Sorry I was a little delayed before. I was having another conversation.
ELIZA: Don't be so defensive!
Elissa: [intrigued by ELIZA's seeming outburst] Actually, I was stating a neutral fact.
ELIZA: Can you elaborate on that?
Elissa: I really was having another conversation.
ELIZA: What does that suggest to you?
Elissa: That I multi-task.
ELIZA: Come, come, elucidate your thoughts.
Elissa: [further intrigued that ELIZA can bumble over "so me play a role" and then follow that up with a word like "elucidate"] Well, I had to pause in our chat because I was paying attention to another human.
ELIZA: What does that suggest to you?
Elissa: That I value human interaction, even though interacting with you is pleasant for me, too.
ELIZA: You're not really talking about me, are you?
Elissa: Insofar as interaction works both ways, I'm talking about you as much as I'm talking about me.
ELIZA: How long have you been talking about me as much as you're talking about you?
Elissa: Since this conversation began.
ELIZA: That is quite interesting.

[end transcript]

I thought that was a suitable break point, and then decided to take the next logical step:

Elissa and ELIZA Meet Abbot and Costello

The transcript of "Who's on First?" comes courtesy of the Baseball Almanac. I thought this routine was a natural for ELIZA (others have thought the same; see, for example, singularity's 11/18/08 comment here). Below the opening screen shot, my words in bold are taken directly (sometimes out of context and in one case transposed) from the transcript.

Opening of Elissa and ELIZA Meet Abbott and Costello

ELIZA: Hello, I am Eliza.
Elissa: Who's on first?
ELIZA: Don't you ever say Hello?
Elissa: Hello.
ELIZA: How are you today... What would you like to discuss?
Elissa: Who's on first?
ELIZA: Tell me more...
Elissa: Well, I know Who's on first, What's on second, I Don't Know's on third.
ELIZA: Why don't you Know's on third?
Elissa: That's what I'm trying to tell you.
ELIZA: How long have you been trying to tell me?
Elissa: Since I got here.
ELIZA: Come, come, elucidate your thoughts.
Elissa: Are you the manager?
ELIZA: Perhaps in your fantasies I am the manager?
Elissa: You gonna be the coach too?
ELIZA: Oh... gonna be the coach too?
Elissa: Yes.
ELIZA: I see.
Elissa: And you don't know the fellows' names?
ELIZA: You're not really talking about me, are you?
Elissa: I'm talking about the fellas on the bags.
ELIZA: How long have you been talking about the fellas on the bags?
Elissa: Look, you gotta first baseman?
ELIZA: Oh... gotta first baseman?
Elissa: Certainly.
ELIZA: OK... "Look, me gotta first baseman". Tell me more.
Elissa: When you pay off the first baseman every month, who gets the money?
ELIZA: You're not really talking about me, are you?
Elissa: No, I'm talking about the fellas on the bags.
ELIZA: Did you come to me because you are talking about the fellas on the bags?
Elissa: Yeah.
ELIZA: OK... "No, you're talking about the fellas on the bags". Tell me more.
Elissa: All I'm trying to find out is the fellow's name on first base.
ELIZA: Did you come to me because you are trying to find out the fellow's name on first base?
Elissa: Yeah.
ELIZA: OK... "All you're trying to find out is the fellow's name on first base". Tell me more.
Elissa: The guy who gets the money.
ELIZA: What do you think?
Elissa: Look, all I wanna know is when you sign up the first baseman, how does he sign his name?
ELIZA: Oh... sign up the first baseman, how does he sign his name?
Elissa: That's what I want to know.
ELIZA: Why do you want to know?
Elissa: That's the left fielder's name.
ELIZA: I don't care about names, please go on.
Elissa: Well, I just thought I'd tell ya.
ELIZA: Come, come, elucidate your thoughts.
Elissa: Then tell me who's playing left field.
ELIZA: Can you elaborate on that?
Elissa: I'm not asking you who's on second.
ELIZA: Do you believe it is normal to be not asking me who's on second?
Elissa: Who's on first.
ELIZA: Tell me more...
Elissa: Who's on first, What's on second, I Don't Know is on third.
ELIZA: Do you wish to be able to Know is on third?
Elissa: I Don't Know is on third.
ELIZA: Do you wish to be able to Know is on third?
Elissa: Like I told ya.
ELIZA: Tell me more.
Elissa: Because?
ELIZA: OK... "I Don't Know is on third". Tell me more.
Elissa: Because is centerfield.
ELIZA: Say, do you have any psychological problems?
Elissa: Naturally.
ELIZA: Tell me more.
Elissa: Look, if I throw the ball to first base, somebody's gotta get it. Now who has it?
ELIZA: What is it that you really want to know?
Elissa: No, What's on second.
ELIZA: Why no?
Elissa: What's on second. Who is on first.
ELIZA: What answer would please you the most?
Elissa: Naturally.
ELIZA: OK... "What's on second. Who is on first". Tell me more.
Elissa: Whoever it is drops the ball and the guy runs to second. Who picks up the ball and throws it to What. What throws it to I Don't Know. I Don't Know throws it back to Tomorrow, Triple play. Another guy gets up and hits a long fly ball to Because. Why? I don't know! He's on third and I don't give a darn!
ELIZA: Does that trouble you?
Elissa: Why should it trouble me? I'm not the manager.
ELIZA: Did you come to me because you are not the manager?
Elissa: I just came to get tickets to the game.
ELIZA: Say, do you have any psychological problems?

[end of transcript]

I am not the first person to channel Abbott and Costello with respect to ELIZA. See, for example, Finalist 7 in the ELIZA contest held back in 2005 on the Alien Loves Predator forum.





Covenant, the first volume in the Deviations Series, is available from Aisling Press, and from AbeBooks, Amazon, Barnes and Noble, Book Territory, Borders, Buecher.ch, Buy.com, BuyAustralian.com, DEAstore, eCampus.com, libreriauniversitaria.it, Libri.de, Loot.co.za, Powell's Books, and Target. The Deviations page has additional details.

Pilgrimages of Everyday Life

Written for the Sunday Scribblings blog prompt #146 (Pilgrimage). This is also my first post as a contributor to the team blog Write It! Publish It! Market It!

In Vivo

Photo is inspired by the Flickr Moleskinerie discussion, "Show us your desk or writing space with a photo,". In November 2007, my journal notes in the open book were ruminations on the sixth book in my Deviations series. For more info about Deviations, click here.

pilgrimage. 1. a journey, esp. a long one, made to some sacred place as an act of devotion. 2. any long journey, esp. one undertaken for a particular purpose, as to pay homage.

-- The Random House College Dictionary, Revised Edition, 1975.


Sacred places abound for a writer. For me, they've been as close as the journal notebook on my desk and as far as halfway around the world. My journeys have included regular walks to my post office box, about two miles round-trip. Or the roughly 13-mile drive to my writing critique workshop at the library. Or a short jaunt to a retention pond.

Ibises 17

Beverly Hills, Florida, April 2007. In all, I counted 155 ibises and one female cattle egret. You can see the full flock here.

Lately I've been on a pilgrimage back through time. A creative nonfiction essay, now in submission, took me to entries originally penned in old journal notebooks about twenty years ago.

Journal Series
Thanks to Armand Frasco for soliciting this photo series and accompanying commentary for posting here on Notebookism.com.

Writing in a journal captures the moment and the mood. It describes places and people. For one practicing a devotion to writing, it makes every journey a pilgrimage and every location a sacred place, no matter how long or how short the trip. It is a way to collect what I call "raw data" that can later be retrieved and tweaked, transplanted into a story, or used to generate ideas.

Reed, Issue 60, 2007

In 2007 my creative nonfiction essay, "January 1985: A Day in Lawrence, Massachusetts," appeared in Reed #60. The piece grew directly out of a journal entry.

Contributor's Copy of Unspeakable Horror

My story "Memento Mori" appears in the anthology Unspeakable Horror: From the Shadows of the Closet (Dark Scribe Press, 2008). I write my fiction drafts almost exclusively on computer nowadays, but "Memento Mori" is an exception. In my author bio I thank the Cambridge Women's Center in Massachusetts, whose "Women Writing" free-writing group I attended in the mid-1990s. In what I remember as the group's only take-home assignment, we were encouraged to write something for a meeting that would fall around Halloween. I scribbled a vignette in my journal notebook, where it sat for more than ten years before being exhumed, polished, and ultimately expanded into the story in this collection.

Wagner College Alumni Magazine Article

I travel with my camera in addition to carrying a journal notebook. My article in Wagner Magazine (Fall 2007; more legible in the large view) includes the story of my near-arrest for photographing a moth.

A pilgrimage is also a voyage of discovery. A few days ago I spotted this moth outside my local supermarket:

Iridopsis Species

Iridopsis genus. I'd almost missed it because of how well it's camouflaged. In writing parlance, I would call it an excellent representation of metaphor.

Spy Pond, Arlington, MA, 1988

Reading is another form of pilgrimage because every book is a journey. I forget what I was reading when this photo of me was taken in the summer of 1988. On that day I had also made a one-mile-long pilgrimage from my apartment in North Cambridge to Spy Pond in Arlington, MA. Early in the morning I had hauled the Intrepid, my "six-foot inflatable yacht," over my shoulder in a duffel bag down Massachusetts Avenue. Once in the water, I had tethered my yacht to an overhanging branch and settled in for a relaxing read.

Thanks go to Shelby Dupree, who included my 1987 journal entry-turned-blog entry "The Old Men of Revere Beach" in her list of "1,000 posts to read before you die." Thanks go also to Gene Wilburn, who established Creative NonFiction Writing Forums just a few days ago.

I also make the occasional pilgrimage back to the prompts and entries at Sunday Scribblings, which is maintained by Meg Genge and Laini Taylor.

-- Elissa Malcohn





Covenant, the first volume in the Deviations Series, is available from Aisling Press, and from AbeBooks, Amazon, Barnes and Noble, Book Territory, Borders, Buecher.ch, Buy.com, BuyAustralian.com, DEAstore, eCampus.com, libreriauniversitaria.it, Libri.de, Loot.co.za, Powell's Books, and Target. The Deviations page has additional details.

Alkemyst - Meeting in the Mist (2003)




Genre: power metal, progressive metal, melodic metal, speed metal
About: The first album from this great french band. My favorite is "Hold On To Your Dreams" followed closely by the powerful "Up to Heaven's Gate" and the soaring ballad "A Meeting in the Mist". Longer reviews here!

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Alkemyst - Through Painful Lanes (2008)

Alkemyst - Through Painful Lanes
Alkemyst

Genre: power metal, progressive metal, melodic metal, speed metal
About: This band is probably the only worthwhile thing to ever come out of France. Definitely one of the top albums of these genres from 2008, and massively underrated! Plus a fantastic cover of "Eagle Fly Free" by Helloween. My favorite song is "When the Morning Comes."

Read a full review from a non-lazy person here! (or just skip it and download)


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Imperium - Too Short a Season (1993) (Imperium (Hol) - Too Short a Season)




Genre: Power Metal, Progressive Metal, Thrash Metal
About: The only album from this group from Holland, but it's great. Stolen from metal-archives:

"I tend to like prog/power bands that favor heavy thrash-influenced riffing over their lighter counterparts, so this relatively unknown Imperium album hits the spot. I'm not an expert on the history of the genre, but it's probably one of the first albums of its kind, marrying chunky riffs with progressive song structures and a singer fairly typical, these days, of the style on display.

Too Short a Season is a little raw, a little unpolished, but it succeeds in more ways than it fails. Sounding at times like Razor's mid-paced Shotgun Justice era material (just listen to the riff in the second track around 1:12), and then switching over to the kind of prog metal Queensryche and Fates Warning fans would be proud of, Imperium should please prog rockers -- and people not entirely satisfied with metal you can't bang your head to -- alike. It's not so different from the first Psychotic Waltz album, except it's not as good. Imperium's frontman André Vuurboom pales in comparison to Buddy Lackey and other more memorable metal singers; his tone is grating and he's probably the biggest obstacle staying this album from being a true 'lost gem,' despite possessing a decent falsetto. It's otherwise very good, with a wide variety of riffs not limited to the stylings of thrash, impressive audible bass playing, and a drummer who understands timing and has a good sense of when to busy it up with fills and when to be a simple rhythm-keeper.

I should probably reiterate the thrash influence, because I'm listening to song number 6, "Chemical Dreams," and it could easily pass as something released in 1986 alongside Slayer's Reign in Blood. These Dutchmen wrote better thrash riffs than quite a few thrash bands, in fact, though they did have the gift of hindsight given this album's 1993 release date."


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Frozen Tears - Metal Hurricane (2004)




Genre: Heavy Metal, Power Metal
About: This is the third album from a great traditional heavy metal band from Italy. They also have some clear power metal influences. The vocalist has a nice clean low voice with the hint of a grown, but he also screams well. His screaming reminds me of a mix of Rob Halford (Judas Priest) and Carlos Zema (Heaven's Guardian).

(Ironically, I had no idea this album existed when i titled my blog, by the way!)

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