Throne Of Ahaz - At The Mountains Of Northern Storms (Demo) (1992)
Genre: Black Metal, Raw Black Metal
About: This is a nice raw black metal band. The production is very clear for a black metal demo, just a slight hiss/white noise in the background. It starts with a 1 minute acoustic intro and then goes into some impressive riffage and vocals.
(I apologize, the last 15 seconds or so of track 4 are cut off. Not a big deal though.)
Download
Labels:
(Black Metal),
(Raw Black Metal),
1992,
Throne of Ahaz
Let The Seller Beware
The following letter now appears on my website:
Dear Readers,
First, I want to thank everyone who has bought, begged, borrowed, (dare I say stolen?), or otherwise read Covenant -- especially anyone who has enjoyed the story so far and is looking forward to more of the saga.
I want you all to know that more's comin', though not in the same manner as originally planned.
Stay tuned for a paradigm shift on these Web pages. In addition to being an author and a communications freelancer, I am learning my way around the reality of being a caregiver. That and other circumstances may change how I channel my stories out, but I still intend to give them voice. My characters hold me accountable for that.
I am also accountable to you. You have invested your time, energy, interest, and emotions in the story, just as I have. I finished drafting the Deviations series in 2008. That means several more volumes await release, and I will do everything in my power to get them out in the open, one step in the process at a time. I thank you all for your patience, now and to come.
I am especially thankful to have met some of you at conventions and elsewhere, and to those of you who have given me feedback directly. My travels will likely be curtailed, and I may be unable to do the sweet convention-hopping I enjoyed in 2008, but I will find a way to keep in touch. Keep on keepin' on out there, and I'll do the same. -- Elissa
To learn a bit about the publications changes, I recommend reading two discussion threads at the Absolute Write Water Cooler forums over at Preditors and Editors. These threads were down for a while as P&E re-tooled, but they are now back up. I also now have .pdf files of the threads in my records.
The discussion thread on Koboca Publishing (the first publisher I signed a contract with, with Bo Savino as COO) is at
http://www.absolutewrite.com/forums/showthread.php?t=35919
Before I signed my contract with Koboca in November 2006, I did a Web search on the name. This thread provided the only "iffy" information, but after the initial posts I saw only praise for the company. And therein lies a lesson: Keep checking back after signing a contract. Note the change that occurs between B.J. Bourg's praise in September 2006 and Kartim's post in February 2007. The plot thickens on the second page.
In the summer of 2007 I followed Bo from Koboca Publishing to Aisling Press, the indie publishing arm of Oculus Media. Oculus also includes a self-publishing arm, called Brann, which served as the subject for this thread:
http://absolutewrite.com/forums//showthread.php?t=78020
Dkvet's happy post begins that discussion. His tone changes considerably by the time you get to June 2008.
As for me, I have this exhibit to offer:
Large view
Above is the only royalty statement I received from Oculus Media/Aisling Press for Covenant. Although the statement itself is undated, it is shown as an attachment in Bo Savino's Feb. 21, 2008, e-mail to me. I've drawn a box around her note, "[Y]ou have already passed these sales numbers for this upcoming quarter."
I have also drawn a box around that portion of my royalty statement in which my 74 author-purchased copies in that three-month period are shown as "N/A." That designation conflicts with Section 29: Author Purchased Copies on my contract, and the phrase I have boxed: "AUTHOR will receive royalties on copies that AUTHOR has purchased..."
Another lesson: Check your royalty statement against your contract. What with my first published book out, I was busy with events while continuing my freelance work and also attending to various issues related to my current caregiver role.
As of this date I have received no royalties whatsoever. I have, however, received a signed return receipt for my certified letter to Bo, and a copy of that letter also resides in my attorney's office.
To be fair, I had loads of fun doing events with Aisling and with Bo. That much is evident in my blog reports. I've met fellow authors and made new friends, and some of those associations continue. With respect to the information presented above, I believe that information speaks for itself. Authors and convention organizers, take note.
Readers, I haven't forgotten you. As my letter to you indicates, there is more of the Deviations saga to come. During the legally required waiting period I plan to educate myself on various ways to get the rest of that story out, and I have a particular strategy in mind. Thank you for the patience you have already shown me, thank you for believing in and supporting the story, and please stay tuned.
The Yiddish term beshert -- "meant to be" -- also applies. Life circumstances make this "hold time" a good thing for me. I am needed at home right now, and I have much retooling to do on several fronts. These events change my mindset and my outlook in positive ways.
Unpleasantness notwithstanding, it's all good.
[end of entry]
Dear Readers,
First, I want to thank everyone who has bought, begged, borrowed, (dare I say stolen?), or otherwise read Covenant -- especially anyone who has enjoyed the story so far and is looking forward to more of the saga.
I want you all to know that more's comin', though not in the same manner as originally planned.
Stay tuned for a paradigm shift on these Web pages. In addition to being an author and a communications freelancer, I am learning my way around the reality of being a caregiver. That and other circumstances may change how I channel my stories out, but I still intend to give them voice. My characters hold me accountable for that.
I am also accountable to you. You have invested your time, energy, interest, and emotions in the story, just as I have. I finished drafting the Deviations series in 2008. That means several more volumes await release, and I will do everything in my power to get them out in the open, one step in the process at a time. I thank you all for your patience, now and to come.
I am especially thankful to have met some of you at conventions and elsewhere, and to those of you who have given me feedback directly. My travels will likely be curtailed, and I may be unable to do the sweet convention-hopping I enjoyed in 2008, but I will find a way to keep in touch. Keep on keepin' on out there, and I'll do the same. -- Elissa
To learn a bit about the publications changes, I recommend reading two discussion threads at the Absolute Write Water Cooler forums over at Preditors and Editors. These threads were down for a while as P&E re-tooled, but they are now back up. I also now have .pdf files of the threads in my records.
The discussion thread on Koboca Publishing (the first publisher I signed a contract with, with Bo Savino as COO) is at
http://www.absolutewrite.com/forums/showthread.php?t=35919
Before I signed my contract with Koboca in November 2006, I did a Web search on the name. This thread provided the only "iffy" information, but after the initial posts I saw only praise for the company. And therein lies a lesson: Keep checking back after signing a contract. Note the change that occurs between B.J. Bourg's praise in September 2006 and Kartim's post in February 2007. The plot thickens on the second page.
In the summer of 2007 I followed Bo from Koboca Publishing to Aisling Press, the indie publishing arm of Oculus Media. Oculus also includes a self-publishing arm, called Brann, which served as the subject for this thread:
http://absolutewrite.com/forums//showthread.php?t=78020
Dkvet's happy post begins that discussion. His tone changes considerably by the time you get to June 2008.
As for me, I have this exhibit to offer:
Large view
Above is the only royalty statement I received from Oculus Media/Aisling Press for Covenant. Although the statement itself is undated, it is shown as an attachment in Bo Savino's Feb. 21, 2008, e-mail to me. I've drawn a box around her note, "[Y]ou have already passed these sales numbers for this upcoming quarter."
I have also drawn a box around that portion of my royalty statement in which my 74 author-purchased copies in that three-month period are shown as "N/A." That designation conflicts with Section 29: Author Purchased Copies on my contract, and the phrase I have boxed: "AUTHOR will receive royalties on copies that AUTHOR has purchased..."
Another lesson: Check your royalty statement against your contract. What with my first published book out, I was busy with events while continuing my freelance work and also attending to various issues related to my current caregiver role.
As of this date I have received no royalties whatsoever. I have, however, received a signed return receipt for my certified letter to Bo, and a copy of that letter also resides in my attorney's office.
To be fair, I had loads of fun doing events with Aisling and with Bo. That much is evident in my blog reports. I've met fellow authors and made new friends, and some of those associations continue. With respect to the information presented above, I believe that information speaks for itself. Authors and convention organizers, take note.
Readers, I haven't forgotten you. As my letter to you indicates, there is more of the Deviations saga to come. During the legally required waiting period I plan to educate myself on various ways to get the rest of that story out, and I have a particular strategy in mind. Thank you for the patience you have already shown me, thank you for believing in and supporting the story, and please stay tuned.
The Yiddish term beshert -- "meant to be" -- also applies. Life circumstances make this "hold time" a good thing for me. I am needed at home right now, and I have much retooling to do on several fronts. These events change my mindset and my outlook in positive ways.
Unpleasantness notwithstanding, it's all good.
[end of entry]
U2 - No Line on the Horizon (2009)
Genre: Rock, Pop, Classic Rock
About: This album seems to be a little more pop-oriented than their past few albums, but it's still the same old U2. No Line on the Horizon is an amazing song. Also, i really like the cover. Very minimalistic, yet clever. Highly recommended to anyone.
Download part 1
Download part 2
Labels:
(Classic Rock),
(Pop),
(Rock),
2009,
u2
The Brave - Battle Cries (1992)
Genre: Hard Rock, Melodic Rock
About: Another relatively unknown but exceptionally good melodic hard rock band. The singer sounds a lot like the singer for Scorpions. They also take the award for cheesiest cover art I have ever seen. :P
Review from amazon.com: "The Brave - Battle Cries is in the top 5 best metal/AOR Christian Metal bands ever!! The musicianship, songs, hooks & vocals are better than most secular releases of the late 80's early 90's. Produced by John & Dino Elefante (Kansas & St. Elmo's Fire Soundtrack) they knew how to get the best bands & get the best out of their musicians. If you do not have this cd get it now, it is long out of print & getting harder to find."
Download pt 1
Download pt 2
Labels:
(Hard Rock),
(Melodic Rock),
1992,
The Brave
Trollfest - Villanden (2009)
Genre: Folk Metal, Viking Metal, Black Metal, "Troll Metal", Beardcore (click at bottom if you don't know what that is :P)
About: This group was clearly inspired by other folk bands like Korpiklaani or Finntroll, but they have a very unique edge to them. For example, in the title track, some of the lyrics are: "Quack quack, quack quack!" Very unique and fun band if youre into these genres. They are the first metal band I've ever heard to use a trumpet. Also, it is good music to drink to.
Download
Labels:
(Beardcore),
(Black Metal),
(Folk Metal),
(Troll Metal),
(Viking Metal),
2009,
Trollfest
Moby - Creep (Studio Brussel version) (Radiohead Cover)
Genre: Ambient, Piano
About: This is very unusual in my opinion for many reasons.
1. I despise Radiohead with a burning flame of 1000 suns. Overrated mediocre mainstream as #(*$ band. Don't even get me started.
2. This is a metal blog, and this song is as far from metal as humanly possible. However, when you really think about it, it's not all that different from something like Trist(Ger), which is ambient/atmospheric "metal"... debatable how "metal" some of those songs are.
3. Moby is an electronic artist... But this song is simply a piano line and very calm vocals... which are both very uncharacteristic of Moby. He even clears his throat at one point, leading me to believe this was a very quick, once-through recording. But it's beautiful. I may have to give Radiohead a second chance if the original is this great. (No idea what year this was recorded so i put 2009)
Download
Live Youtube video
Labels:
(Ambient),
(Piano),
2009,
Moby,
Radiohead Cover
Virus from Hell - Threat (2008) (featuring Carlos Zema of Heaven's Guardian, Vougan...)
Genre: Heavy Metal, Power Metal, Progressive Metal, Thrash Metal
About: It's heavy power metal, similar to everything else Carlos Zema has been in (Heaven's Guardian, Vougan, Coldera, Outworld). He's a guest vocalist on track 4. But the vocalist on the other two tracks deserves recognition as well. This music is perfectly suited to his amazing voice. The composer, Murilo Rassi, really deserves some recognition, and is looking for a label and managerial support, etc. He plays bass guitar for this album and for Heaven's Guardian in the past.
Download
Alternatively, download free from last.fm
metal archives
Lyrics (Click Next)
Art, Multiplied
By sheer coincidence, on the same weekend in which "Art" became prompt #149 from Sunday Scribblings, I learned that a poem of mine based on a painting has been accepted for publication.
My poem "Frightening the Horses" has been accepted to Aoife's Kiss and will appear along with Marge Simon's poem "Painting Tomorrow Man."
For two years now, Marge and I have had an arrangement whereby we each walk separately through the art show at Necronomicon, the Tampa Bay area's annual science fiction/fantasy/horror convention. We each choose a painting, write a poem based on it, share what we've written via e-mail, and then make a joint submission. (Thanks to Marge for doing the submission legwork!)
"Frightening the Horses" takes its cue from Lubov's painting "Daybreak," visible here.
Marge's poem "Painting Tomorrow Man" takes its cue from Garret Dechellis's painting "The Convector," the second image here.
Our poems from the 2007 art show both appeared in Space and Time #104 last year. This new dual submission/acceptance continues the trend.
This particular poetic form is called ekphrasis -- poetry based on art forms. This article at Poets.org gives more information.
Today also marked the first outing of the new group North Central Florida Writers, Artists & Musicians, which I recently joined. And it marked my first visit to the Appleton Museum of Art in Ocala. Seven of us took what one of the docents called a "trip around the world." The Appleton's galleries showcase African, American, Asian, pre-Columbian, European, and contemporary art and artifacts. A day is not enough to truly appreciate the permanent collections.
Today was the museum's "Community Day," which granted free admission to the public. The day included a terrific concert by flutist Donna Wissinger, accompanied by pianist Joy Myers and (from time to time) several audience members. "An American Tapestry" included but was not limited to works by George Gershwin, William Grant Still, Leonard Bernstein, Henri Mancini, John Philip Sousa, Native American traditional music, and the Shaker hymn "Simple Gifts." Interwoven with the music were projected images of American art: Winslow Homer, Norman Rockwell, and others. It was a multi-media performance well-suited to the eclectic collection initially amassed and then donated by Arthur I. Appleton.
I enjoyed conversations with three docents, who did more than lecture about the artwork. In fact, there were no lectures. Instead, the artwork entered into our discussions like old friends, as the docents spoke to small groups of visitors or one-on-one. Dorothy and I could have spent the full day exploring Pierre Auguste Cot's "Day of the Dead," tracing his techniques back to William Adolphe Bouguereau, whose "The Little Knitter" hung on the opposite wall. Dorothy, who has been a docent at the Appleton for over a dozen years, is still discovering new layers in Cot's painting, it is that rich. And it is the type of painting that evokes a full spectrum of responses in its viewers due to its emotional power.
The Asian gallery also caught my eye, with its fabulous netsuke collection of detailed and whimsical ivory miniatures. I wish I had a list of artifacts and artworks (the museum sells a book reproducing its collections), because there's so much more I want to name. The Appleton, part of Central Florida Community College, also features an international film series, performing arts series, and "Appleton After Hours" concerts. And travel. "Community Day" also included a drawing for free entry to one of the museum's day trips. Thanks to North Central Florida Writers, Artists & Musicians group leader Charles Lawrence for arranging this adventure!
I can see myself returning to the Appleton, spending chunks of quality time with its collections, and writing -- either ekphrastic poems or prose inspired by what I see. Before I left, I picked up a copy of Gary Monroe's The Highwaymen: Florida's African-American Landscape Painters. Next weekend the museum hosts the A.E. "Bean" Backus Exhibition, honoring the Highwaymen's mentor.
[end of entry]
My poem "Frightening the Horses" has been accepted to Aoife's Kiss and will appear along with Marge Simon's poem "Painting Tomorrow Man."
For two years now, Marge and I have had an arrangement whereby we each walk separately through the art show at Necronomicon, the Tampa Bay area's annual science fiction/fantasy/horror convention. We each choose a painting, write a poem based on it, share what we've written via e-mail, and then make a joint submission. (Thanks to Marge for doing the submission legwork!)
"Frightening the Horses" takes its cue from Lubov's painting "Daybreak," visible here.
Marge's poem "Painting Tomorrow Man" takes its cue from Garret Dechellis's painting "The Convector," the second image here.
Our poems from the 2007 art show both appeared in Space and Time #104 last year. This new dual submission/acceptance continues the trend.
This particular poetic form is called ekphrasis -- poetry based on art forms. This article at Poets.org gives more information.
Today also marked the first outing of the new group North Central Florida Writers, Artists & Musicians, which I recently joined. And it marked my first visit to the Appleton Museum of Art in Ocala. Seven of us took what one of the docents called a "trip around the world." The Appleton's galleries showcase African, American, Asian, pre-Columbian, European, and contemporary art and artifacts. A day is not enough to truly appreciate the permanent collections.
Today was the museum's "Community Day," which granted free admission to the public. The day included a terrific concert by flutist Donna Wissinger, accompanied by pianist Joy Myers and (from time to time) several audience members. "An American Tapestry" included but was not limited to works by George Gershwin, William Grant Still, Leonard Bernstein, Henri Mancini, John Philip Sousa, Native American traditional music, and the Shaker hymn "Simple Gifts." Interwoven with the music were projected images of American art: Winslow Homer, Norman Rockwell, and others. It was a multi-media performance well-suited to the eclectic collection initially amassed and then donated by Arthur I. Appleton.
I enjoyed conversations with three docents, who did more than lecture about the artwork. In fact, there were no lectures. Instead, the artwork entered into our discussions like old friends, as the docents spoke to small groups of visitors or one-on-one. Dorothy and I could have spent the full day exploring Pierre Auguste Cot's "Day of the Dead," tracing his techniques back to William Adolphe Bouguereau, whose "The Little Knitter" hung on the opposite wall. Dorothy, who has been a docent at the Appleton for over a dozen years, is still discovering new layers in Cot's painting, it is that rich. And it is the type of painting that evokes a full spectrum of responses in its viewers due to its emotional power.
The Asian gallery also caught my eye, with its fabulous netsuke collection of detailed and whimsical ivory miniatures. I wish I had a list of artifacts and artworks (the museum sells a book reproducing its collections), because there's so much more I want to name. The Appleton, part of Central Florida Community College, also features an international film series, performing arts series, and "Appleton After Hours" concerts. And travel. "Community Day" also included a drawing for free entry to one of the museum's day trips. Thanks to North Central Florida Writers, Artists & Musicians group leader Charles Lawrence for arranging this adventure!
I can see myself returning to the Appleton, spending chunks of quality time with its collections, and writing -- either ekphrastic poems or prose inspired by what I see. Before I left, I picked up a copy of Gary Monroe's The Highwaymen: Florida's African-American Landscape Painters. Next weekend the museum hosts the A.E. "Bean" Backus Exhibition, honoring the Highwaymen's mentor.
[end of entry]
Covenant, the first volume in the Deviations Series, is available from Aisling Press, and from AbeBooks, Amazon, Barnes and Noble, Book Territory, Borders, Buecher.ch, Buy.com, BuyAustralian.com, DEAstore, eCampus.com, libreriauniversitaria.it, Libri.de, Loot.co.za, Powell's Books, and Target. The Deviations page has additional details. |
Poem Up at Strange Horizons, Mole Cricket Up at Gardening in South Africa
My poem "Where Relativity Ends" is up at Strange Horizons this week, where you can read it here.
Also just up is my photo of a tawny mole cricket, at Gardening in South Africa: "What to do and what not to do in your garden in February." You can see the critter here.
The cricket actually hails from Crystal River, Florida.
[end of entry]
Also just up is my photo of a tawny mole cricket, at Gardening in South Africa: "What to do and what not to do in your garden in February." You can see the critter here.
The cricket actually hails from Crystal River, Florida.
[end of entry]
Covenant, the first volume in the Deviations Series, is available from Aisling Press, and from AbeBooks, Amazon, Barnes and Noble, Book Territory, Borders, Buecher.ch, Buy.com, BuyAustralian.com, DEAstore, eCampus.com, libreriauniversitaria.it, Libri.de, Loot.co.za, Powell's Books, and Target. The Deviations page has additional details. |
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